An overlap between the historical, carnivalesque and comic contexts of late Elizabethan and early jacobean plays / Mai Hassan Ali Hassan ; Supervised Dalia Elshayal
Material type:
- التداخل التاريخى و الكرنفالى و الكوميدى فى دراما عصر الملكة اليزابيث و ما بعدها [Added title page title]
- Issued also as CD
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قاعة الرسائل الجامعية - الدور الاول | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.Ph.D.2015.Ma.O (Browse shelf(Opens below)) | Not for loan | 01010110067307000 | ||
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مخـــزن الرســائل الجـــامعية - البدروم | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.Ph.D.2015.Ma.O (Browse shelf(Opens below)) | 67307.CD | Not for loan | 01020110067307000 |
Thesis (Ph.D.) - Cairo University - Faculty of Arts - Department of English
Late elizabethan and early Jacobean comedies and carnivalesque manifestation are the natural evolution and theatrical embodiment of the English people's growing consciousness of their freedom, first experienced temporarily in their celebratory world of the inversionary rituals of the medieval and renaissance tradition of misrule, and then gradually fulfilled in their actual world during the great historical and cultural movement of elizabethan England. Historically and philosophically, late elizabethan and early Jacobean comedies fulfill bakhtin's festive world and theory of carnival, based on the tradition of misrule and then gradually fulfilled in their actual world during the great historical and cultural movement of Elizabethan England
Issued also as CD
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