Southern Ontario Gothic in selected novels by Margaret Atwood / Mai Hazem Elsayed Elgebali ; Supervised Mona Hussein Mones
Material type:
- قوطية جنوب أونتاريو في روايات مختارة لمارجريت آتوود [Added title page title]
- Issued also as CD
Item type | Current library | Home library | Call number | Copy number | Status | Barcode | |
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قاعة الرسائل الجامعية - الدور الاول | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.M.A.2017.Ma.S (Browse shelf(Opens below)) | Not for loan | 01010110073575000 | ||
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مخـــزن الرســائل الجـــامعية - البدروم | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.M.A.2017.Ma.S (Browse shelf(Opens below)) | 73575.CD | Not for loan | 01020110073575000 |
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Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English
The Canadian novelist Margaret Atwood (1939- ) is known for using Southern Ontario Gothic which is a tradition that emerged in Canadian writings in the 1960s and 1970s and which originally derives its characteristics from the traditional Gothic. In Atwood{u2018}s novels, Surfacing (1972), Cat{u2019}s Eye (1988) and The Blind Assassin (2000), the three novels selected for this study, the Gothic elements appear in a postmodernist form because the Southern Ontario Gothic tradition changed and developed to suit the different literary movements. This study attempts to investigate the use and the significance of Southern Ontario Gothic in the three selected novels. It will also show how Southern Ontario Gothic is a typical Atwoodian characteristic. Freudian psychoanalysis is resorted to throughout the thesis because it helps to explain the Gothic elements in the three selected narratives
Issued also as CD
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