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Southern Ontario Gothic in selected novels by Margaret Atwood / Mai Hazem Elsayed Elgebali ; Supervised Mona Hussein Mones

By: Contributor(s): Material type: TextTextLanguage: English Publication details: Cairo : Mai Hazem Elsayed Elgebali , 2017Description: 183 P. ; 25cmOther title:
  • قوطية جنوب أونتاريو في روايات مختارة لمارجريت آتوود [Added title page title]
Subject(s): Online resources: Available additional physical forms:
  • Issued also as CD
Dissertation note: Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English Summary: The Canadian novelist Margaret Atwood (1939- ) is known for using Southern Ontario Gothic which is a tradition that emerged in Canadian writings in the 1960s and 1970s and which originally derives its characteristics from the traditional Gothic. In Atwood{u2018}s novels, Surfacing (1972), Cat{u2019}s Eye (1988) and The Blind Assassin (2000), the three novels selected for this study, the Gothic elements appear in a postmodernist form because the Southern Ontario Gothic tradition changed and developed to suit the different literary movements. This study attempts to investigate the use and the significance of Southern Ontario Gothic in the three selected novels. It will also show how Southern Ontario Gothic is a typical Atwoodian characteristic. Freudian psychoanalysis is resorted to throughout the thesis because it helps to explain the Gothic elements in the three selected narratives
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Item type Current library Home library Call number Copy number Status Barcode
Thesis Thesis قاعة الرسائل الجامعية - الدور الاول المكتبة المركزبة الجديدة - جامعة القاهرة Cai01.02.12.M.A.2017.Ma.S (Browse shelf(Opens below)) Not for loan 01010110073575000
CD - Rom CD - Rom مخـــزن الرســائل الجـــامعية - البدروم المكتبة المركزبة الجديدة - جامعة القاهرة Cai01.02.12.M.A.2017.Ma.S (Browse shelf(Opens below)) 73575.CD Not for loan 01020110073575000

Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English

The Canadian novelist Margaret Atwood (1939- ) is known for using Southern Ontario Gothic which is a tradition that emerged in Canadian writings in the 1960s and 1970s and which originally derives its characteristics from the traditional Gothic. In Atwood{u2018}s novels, Surfacing (1972), Cat{u2019}s Eye (1988) and The Blind Assassin (2000), the three novels selected for this study, the Gothic elements appear in a postmodernist form because the Southern Ontario Gothic tradition changed and developed to suit the different literary movements. This study attempts to investigate the use and the significance of Southern Ontario Gothic in the three selected novels. It will also show how Southern Ontario Gothic is a typical Atwoodian characteristic. Freudian psychoanalysis is resorted to throughout the thesis because it helps to explain the Gothic elements in the three selected narratives

Issued also as CD

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