header
Local cover image
Local cover image
Image from OpenLibrary

Magic realism in selected novels by Zakes Mda , Alejo Carpentier and Khairy Shalaby / Alaa Mohamed Mansour Abdallah ; Supervised Mona Houssein Mones

By: Contributor(s): Material type: TextTextLanguage: English Publication details: Cairo : Alaa Mohamed Mansour Abdallah , 2017Description: 168 P. ; 25cmOther title:
  • الواقعية السحرية في روايات مختارة لزاكيس ميدا وأليخو كاربنتير و خيري شلبي [Added title page title]
Subject(s): Online resources: Available additional physical forms:
  • Issued also as CD
Dissertation note: Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English Summary: This thesis deals with magic realism, a term that first appeared in the field of painting in Germany in 1925. It became established as a literary term in the 1940s when it was discussed by the Cuban critic and writer Alejo Carpentier. Roughly speaking, it means the combination of realistic and extraordinary events which can be believable in specific circumstances. This comparative study aims at tracing this element in three novels, namely, the South African Zakes Mda{u2019}s Ways of Dying (1995), the Cuban Alejo Carpentier{u2019}s The Kingdom of this World (1949) and the Egyptian Khairy Shalaby{u2019}s The Lodging House (1993). The aim of the thesis is to prove that magic realism mostly appears in countries going through political instability and in which poverty prevails. So, the thesis attempts to show how magic realism is a logical outcome of political and social instabilities, as in the case of South Africa in the Post-Apartheid period; Haiti in the aftermath of the black slaves{u2019} rebellion and Egypt after the revolution of 1952. The Marxist critical approach as presented by Pierre Macherey will be resorted to whenever it is needed.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Home library Call number Copy number Status Barcode
Thesis Thesis قاعة الرسائل الجامعية - الدور الاول المكتبة المركزبة الجديدة - جامعة القاهرة Cai01.02.12.M.A.2017.Al.M (Browse shelf(Opens below)) Not for loan 01010110073576000
CD - Rom CD - Rom مخـــزن الرســائل الجـــامعية - البدروم المكتبة المركزبة الجديدة - جامعة القاهرة Cai01.02.12.M.A.2017.Al.M (Browse shelf(Opens below)) 73576.CD Not for loan 01020110073576000

Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English

This thesis deals with magic realism, a term that first appeared in the field of painting in Germany in 1925. It became established as a literary term in the 1940s when it was discussed by the Cuban critic and writer Alejo Carpentier. Roughly speaking, it means the combination of realistic and extraordinary events which can be believable in specific circumstances. This comparative study aims at tracing this element in three novels, namely, the South African Zakes Mda{u2019}s Ways of Dying (1995), the Cuban Alejo Carpentier{u2019}s The Kingdom of this World (1949) and the Egyptian Khairy Shalaby{u2019}s The Lodging House (1993). The aim of the thesis is to prove that magic realism mostly appears in countries going through political instability and in which poverty prevails. So, the thesis attempts to show how magic realism is a logical outcome of political and social instabilities, as in the case of South Africa in the Post-Apartheid period; Haiti in the aftermath of the black slaves{u2019} rebellion and Egypt after the revolution of 1952. The Marxist critical approach as presented by Pierre Macherey will be resorted to whenever it is needed.

Issued also as CD

There are no comments on this title.

to post a comment.

Click on an image to view it in the image viewer

Local cover image