The paranormal in Shakespeare's Macbeth (1606), Charles Dicken's A Christmas Carol (1843) and Steven Spielberg's Minority Report (2002) / MennatAllah Hassan Mohammed Hassan Othman ; Supervised Amal Mazhar
Material type:
- الخوارق فى مسرحية "ماكبث" لشكسبير و " ترنيمة عيد الميلاد" لتشارلز ديكنز (1843) و فيلم" تقرير عن الأقلية" لستيفن سبيلبرج(2002 [Added title page title]
- Issued also as CD
Item type | Current library | Home library | Call number | Copy number | Status | Barcode | |
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قاعة الرسائل الجامعية - الدور الاول | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.M.A.2021.Me.P (Browse shelf(Opens below)) | Not for loan | 01010110083479000 | ||
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مخـــزن الرســائل الجـــامعية - البدروم | المكتبة المركزبة الجديدة - جامعة القاهرة | Cai01.02.12.M.A.2021.Me.P (Browse shelf(Opens below)) | 83479.CD | Not for loan | 01020110083479000 |
Thesis (M.A.) - Cairo University - Faculty of Arts - Department of English
This thesis explores the concept of the paranormal as subjective phenomenon in the works of Macbeth, A Christmas Carol and Minority Report. I examine the conditions preceding the paranormal event, the event itself , its effect on the characters as well as on space and time. Under Carl Jung{u2019}s theory of Parapsychology, I view the {u2018}paranormal{u2019}as{u2018}Synchronistic{u2019} and thereby explain how the event takes place within the psyche highlighting its subjectivity. Under Jung{u2019}s theory of psychoanalysis, I examine the significance of the paranormal events, which is attaining individuation, a state of deep self- awareness.The study also addresses the question of fate versus free will, and reaches the finding that both concepts are complimentary
Issued also as CD
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