| 000 | 01860cam a2200325 a 4500 | ||
|---|---|---|---|
| 003 | EG-GiCUC | ||
| 005 | 20250223031127.0 | ||
| 008 | 141227s2014 ua f m 000 0 eng d | ||
| 040 |
_aEG-GiCUC _beng _cEG-GiCUC |
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| 041 | 0 | _aeng | |
| 049 | _aDeposite | ||
| 097 | _aPh.D | ||
| 099 | _aCai01.02.12.Ph.D.2014.Je.E | ||
| 100 | 0 | _aJehan Abdelhamid Jahin | |
| 245 | 1 | 4 |
_aThe empire writes from within and without : _bShades of emancipating the mind in selected plays by Howard Brenton and Tariq Ali / _cJehan Abdelhamid Jahin ; Supervised Mona A. Elhalawany |
| 246 | 1 | 5 |
_aالإمبراطورية تكتب من داخلها و خارجها : _bدرجات و ظلال لإمكانية تحرير العقلية البشرية فى مسرحيات مختارة لھوارد بر{u٠٦أأ}نتون و طارق على |
| 260 |
_aCairo : _bJehan Abdelhamid Jahin , _c2014 |
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| 300 |
_a258 P. ; _c25cm |
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| 502 | _aThesis (Ph.D.) - Cairo University - Faculty of Arts - Department of English | ||
| 520 | _aRevealing hegemonic forms in discourse have become a major concern in literary production and scholarship particularly since the end of the second world war. This attempt has taken several forms: Deconstruction, post - colonialism, and postmodernism. This thesis aims to challenge traditional critical output on Howard Brenton{u2019}s and Tariq Ali's work as merely political (in accord with a deconstructive post - colonial approach) by attempting to decode the complexity of some of their plays against postmodern concepts proposed by Ihab Hassan | ||
| 530 | _aIssued also as CD | ||
| 653 | 4 | _aHoward Brenton | |
| 653 | 4 | _aIhab Hassan | |
| 653 | 4 | _aTariq Ali | |
| 700 | 0 |
_aMona Ahmed Elhalawany , _eSupervisor |
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| 856 | _uhttp://172.23.153.220/th.pdf | ||
| 905 |
_aNazla _eRevisor |
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| 905 |
_aSamia _eCataloger |
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| 942 |
_2ddc _cTH |
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| 999 |
_c48937 _d48937 |
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