| 000 | 01966cam a2200325 a 4500 | ||
|---|---|---|---|
| 003 | EG-GiCUC | ||
| 005 | 20250223031358.0 | ||
| 008 | 151222s2015 ua o f m 000 0 eng d | ||
| 040 |
_aEG-GiCUC _beng _cEG-GiCUC |
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| 041 | 0 | _aeng | |
| 049 | _aDeposite | ||
| 097 | _aPh.D | ||
| 099 | _aCai01.02.12.Ph.D.2015.Ma.O | ||
| 100 | 0 | _aMai Hassan Ali Hassan | |
| 245 | 1 | 3 |
_aAn overlap between the historical, carnivalesque and comic contexts of late Elizabethan and early jacobean plays / _cMai Hassan Ali Hassan ; Supervised Dalia Elshayal |
| 246 | 1 | 5 | _aالتداخل التاريخى و الكرنفالى و الكوميدى فى دراما عصر الملكة اليزابيث و ما بعدها |
| 260 |
_aCairo : _bMai Hassan Ali Hassan , _c2015 |
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| 300 |
_a195 P. : _bphotographs ; _c25cm |
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| 502 | _aThesis (Ph.D.) - Cairo University - Faculty of Arts - Department of English | ||
| 520 | _aLate elizabethan and early Jacobean comedies and carnivalesque manifestation are the natural evolution and theatrical embodiment of the English people's growing consciousness of their freedom, first experienced temporarily in their celebratory world of the inversionary rituals of the medieval and renaissance tradition of misrule, and then gradually fulfilled in their actual world during the great historical and cultural movement of elizabethan England. Historically and philosophically, late elizabethan and early Jacobean comedies fulfill bakhtin's festive world and theory of carnival, based on the tradition of misrule and then gradually fulfilled in their actual world during the great historical and cultural movement of Elizabethan England | ||
| 530 | _aIssued also as CD | ||
| 653 | 4 | _aCarnivalesque | |
| 653 | 4 | _aElizabethan drama | |
| 653 | 4 | _aJacobean plays | |
| 700 | 0 |
_aDalia Elshayal , _eSupervisor |
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| 856 | _uhttp://172.23.153.220/th.pdf | ||
| 905 |
_aNazla _eRevisor |
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| 905 |
_aSamia _eCataloger |
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| 942 |
_2ddc _cTH |
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| 999 |
_c54083 _d54083 |
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