000 | 02049cam a2200301 a 4500 | ||
---|---|---|---|
003 | EG-GiCUC | ||
005 | 20250223031848.0 | ||
008 | 171127s2017 ua bde f m 000 0 eng d | ||
040 |
_aEG-GiCUC _beng _cEG-GiCUC |
||
041 | 0 | _aeng | |
049 | _aGift | ||
097 | _aPh.D | ||
099 | _aCai01.34.Ph.D.2017.Em.S | ||
100 | 0 | _aEmad Mahrous Abdelmelak Ghaly | |
245 | 1 | 4 |
_aThe scenes of the private tombs of the post-amaran period at thebes and memphis : _bA comparative study / _cEmad Mahrous Abdelmelak Ghaly ; Supervised Abdelhalim N. Eddin , Osama Ibrahim , Willeke Wendrich |
246 | 1 | 5 |
_aمناظر مقابر الأفراد فى فترة ما بعد العمارنة فى طيبة و منف : _bدراسة مقارنة |
260 |
_aFayoum : _bEmad Mahrous Abdelmelak Ghaly , _c2017 |
||
300 |
_a770 P. : _bcharts , maps , plans ; _c25cm |
||
502 | _aThesis (Ph.D.) - Fayoum University - Faculty of Tourism and Hotels - Department of Tourism Guidance | ||
520 | _aThe ancient Egyptian dreamed about being honored in life by his king, being mourned in death by his family and friends, and being welcomed in the here after by his gods. The artists and tomb workers did their best allover Egypt to make this dream reality by depicting pictorial scenes accompanied by texts to immortalize whatever the tomb owner likes to have at his tomb. The tomb workers dug rock-cut tombs in thebes and they built up freestanding tombs in memphis necropolis for the high officials. The wall scenes of private tombs depicted the daily life of the deceased, his relations with gods, the awards and titles he held, the final judgment proving that he was innocent, as well as the family of the deceased. The women were given significant part on wall scenes as well | ||
700 | 0 |
_aAbdelhalim Nour Eddin , _eSupervisor |
|
700 | 0 |
_aOsama Alsayed Abdelnaby Ibrahim , _eSupervisor |
|
700 | 0 |
_aWilleke Wendrich , _eSupervisor |
|
856 | _uhttp://172.23.153.220/th.pdf | ||
905 |
_aNazla _eRevisor |
||
905 |
_aSamia _eCataloger |
||
942 |
_2ddc _cTH |
||
999 |
_c63716 _d63716 |