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003 EG-GiCUC
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008 171127s2017 ua bde f m 000 0 eng d
040 _aEG-GiCUC
_beng
_cEG-GiCUC
041 0 _aeng
049 _aGift
097 _aPh.D
099 _aCai01.34.Ph.D.2017.Em.S
100 0 _aEmad Mahrous Abdelmelak Ghaly
245 1 4 _aThe scenes of the private tombs of the post-amaran period at thebes and memphis :
_bA comparative study /
_cEmad Mahrous Abdelmelak Ghaly ; Supervised Abdelhalim N. Eddin , Osama Ibrahim , Willeke Wendrich
246 1 5 _aمناظر مقابر الأفراد فى فترة ما بعد العمارنة فى طيبة و منف :
_bدراسة مقارنة
260 _aFayoum :
_bEmad Mahrous Abdelmelak Ghaly ,
_c2017
300 _a770 P. :
_bcharts , maps , plans ;
_c25cm
502 _aThesis (Ph.D.) - Fayoum University - Faculty of Tourism and Hotels - Department of Tourism Guidance
520 _aThe ancient Egyptian dreamed about being honored in life by his king, being mourned in death by his family and friends, and being welcomed in the here after by his gods. The artists and tomb workers did their best allover Egypt to make this dream reality by depicting pictorial scenes accompanied by texts to immortalize whatever the tomb owner likes to have at his tomb. The tomb workers dug rock-cut tombs in thebes and they built up freestanding tombs in memphis necropolis for the high officials. The wall scenes of private tombs depicted the daily life of the deceased, his relations with gods, the awards and titles he held, the final judgment proving that he was innocent, as well as the family of the deceased. The women were given significant part on wall scenes as well
700 0 _aAbdelhalim Nour Eddin ,
_eSupervisor
700 0 _aOsama Alsayed Abdelnaby Ibrahim ,
_eSupervisor
700 0 _aWilleke Wendrich ,
_eSupervisor
856 _uhttp://172.23.153.220/th.pdf
905 _aNazla
_eRevisor
905 _aSamia
_eCataloger
942 _2ddc
_cTH
999 _c63716
_d63716