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040 _aEG-GiCUC
_beng
_cEG-GiCUC
041 0 _aeng
049 _aDeposite
097 _aM.A
099 _aCai01.02.12.M.A.2017.Al.M
100 0 _aAlaa Mohamed Mansour Abdallah
245 1 0 _aMagic realism in selected novels by Zakes Mda , Alejo Carpentier and Khairy Shalaby /
_cAlaa Mohamed Mansour Abdallah ; Supervised Mona Houssein Mones
246 1 5 _aالواقعية السحرية في روايات مختارة لزاكيس ميدا وأليخو كاربنتير و خيري شلبي
260 _aCairo :
_bAlaa Mohamed Mansour Abdallah ,
_c2017
300 _a168 P. ;
_c25cm
502 _aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520 _aThis thesis deals with magic realism, a term that first appeared in the field of painting in Germany in 1925. It became established as a literary term in the 1940s when it was discussed by the Cuban critic and writer Alejo Carpentier. Roughly speaking, it means the combination of realistic and extraordinary events which can be believable in specific circumstances. This comparative study aims at tracing this element in three novels, namely, the South African Zakes Mda{u2019}s Ways of Dying (1995), the Cuban Alejo Carpentier{u2019}s The Kingdom of this World (1949) and the Egyptian Khairy Shalaby{u2019}s The Lodging House (1993). The aim of the thesis is to prove that magic realism mostly appears in countries going through political instability and in which poverty prevails. So, the thesis attempts to show how magic realism is a logical outcome of political and social instabilities, as in the case of South Africa in the Post-Apartheid period; Haiti in the aftermath of the black slaves{u2019} rebellion and Egypt after the revolution of 1952. The Marxist critical approach as presented by Pierre Macherey will be resorted to whenever it is needed.
530 _aIssued also as CD
653 4 _aAlejo Carpentier
653 4 _aMagic realism
653 4 _aZakes Mda
700 0 _aMona Houssein Mones ,
_eSupervisor
856 _uhttp://172.23.153.220/th.pdf
905 _aNazla
_eRevisor
905 _aShimaa
_eCataloger
942 _2ddc
_cTH
999 _c63793
_d63793