000			02245cam a2200337 a 4500
003			EG-GiCUC
005			20250223031914.0
008			180114s2017 ua f m 000 0 eng d
040			_aEG-GiCUC _beng _cEG-GiCUC
041	0		_aeng
049			_aDeposite
097			_aM.A
099			_aCai01.02.12.M.A.2017.Ha.C
100	0		_aHassan Magdi Hassan
245	1	4	_aThe Character of the Jew in Three Selected Plays by Marlowe, Shakespeare and Fassbinder : _bA Comparative Study / _cHassan Magdi Hassan ; Supervised Mona Ahmed Elhalawany , Azza Fahmy
246	1	5	_aالشخصية اليهودية فى ثلاثة أعمال مسرحية لمارلو وشيكسبير وفاسبيندر : _bدراسة مقارنة
260			_aCairo : _bHassan Magdi Hassan , _c2017
300			_a181 P. ; _c25cm
502			_aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520			_a The depiction of Jews in literature has always been controversial. In most of the literary texts they are depicted as a powerful minority, ready to destroy the Other, whom they perceive as hostile or inferior. It is, therefore, important to examine certain literary texts to trace how the Jewish minority groups in different societies and along different periods of time have reflected the same intrinsic traits. The plays selected for this study bear the mark of the deeply seated characteristics of the typical Jew who is portrayed as the malevolent offender in three different texts: Marlowe's The Jew of Malta (1589), Shakespeare's The Merchant of Venice (1600) and Rainer Fassbinder's Garbage, the City and Death (1975). The study will make use of Al Missiri's model of the ''functional groups'' to account for the behavior of the three Jewish characters in the three different texts. Semiotics will be adopted as a methodology to explore the different sign systems in the three texts
530			_aIssued also as CD
653		4	_aIdentity
653		4	_aJewish character
653		4	_aMinority
700	0		_aAzza Fahmy , _eSupervisor
700	0		_aMona Ahmed Elhalawany , _eSupervisor
856			_uhttp://172.23.153.220/th.pdf
905			_aNazla _eRevisor
905			_aShimaa _eCataloger
942			_2ddc _cTH
999			_c64551 _d64551