| 000 | 02107cam a2200337 a 4500 | ||
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| 003 | EG-GiCUC | ||
| 005 | 20250223032118.0 | ||
| 008 | 181119s2018 ua f m 000 0 eng d | ||
| 040 |
_aEG-GiCUC _beng _cEG-GiCUC |
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| 041 | 0 | _aeng | |
| 049 | _aDeposite | ||
| 097 | _aM.A | ||
| 099 | _aCai01.02.12.M.A.2018.Da.F | ||
| 100 | 0 | _aDalia Ibrahim Allam | |
| 245 | 1 | 0 |
_aFoucault{u2019}s concept of 2power and resistance3 as reflected in selected plays by dominik smole, sonia sanchez and the members of junction avenue theater company / _cDalia Ibrahim Allam ; Supervised Heba Hassan Elabbadi , Heidi Mohamed Bayoumy |
| 246 | 1 | 5 | _aمفهوم فوكو {u٢٠١٩}للقوة والمقاومة{u٢٠١٨} في مسرحيات مختارة لسونيا سانشيز وأعضاء مجموعة جانكشن أفينو المسرحية ودومنيك سمول |
| 260 |
_aCairo : _bDalia Ibrahim Allam , _c2018 |
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| 300 |
_a188 P. ; _c25cm |
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| 502 | _aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English | ||
| 520 | _aThe thesis aims to apply Foucault{u2019}s concept of {u2018}power and resistance{u2019} in Antigona (1959) by Dominik Smole, Sister Son/ji (1969) by Sonia Sanchez and Sophiatown (1985) written collectively by members of the Junction Avenue Theatre Company. The concept under study will be applied as a framework to discusshow the dramatists employ the different elements of drama in presenting the conflicts of these plays, and thus, highlighting the clashes in their different cultural backgrounds like discrimination between white and black Americans in Sister Son/ji, the oppression of the ruler in former Yugoslavia in Antigona, andracial segregation between whites and other South African races in Sophiatown | ||
| 530 | _aIssued also as CD | ||
| 653 | 4 | _aFoucault | |
| 653 | 4 | _aPower | |
| 653 | 4 | _aResistance | |
| 700 | 0 |
_aHeba Hassan Elabbadi , _eSupervisor |
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| 700 | 0 |
_aHeidi Mohamed Bayoumy , _eSupervisor |
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| 856 | _uhttp://172.23.153.220/th.pdf | ||
| 905 |
_aNazla _eRevisor |
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| 905 |
_aShimaa _eCataloger |
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| 942 |
_2ddc _cTH |
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_c68609 _d68609 |
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