000			02948cam a2200325 a 4500
003			EG-GiCUC
005			20250223032411.0
008			191003s2019 ua o f m 000 0 eng d
040			_aEG-GiCUC _beng _cEG-GiCUC
041	0		_aeng
049			_aDeposite
097			_aM.A
099			_aCai01.02.12.M.A.2019.Ma.R
100	0		_aMaha Ashraf Mostafa
245	1	0	_aRepresentation politics and translation strategies in selected translations of Nawal Saadawi's writings into English : _bA cultural study / _cMaha Ashraf Mostafa ; Supervised Hala Kamal
246	1	5	_aسياسات التمثيل و استراتيجيات الترجمة فى ترجمات مختارة لكتابات نوال السعداوى إلى الإنجليزية : _bدراسة ثقافية
260			_aCairo : _bMaha Ashraf Mostafa , _c2019
300			_a157 P. : _bphotographs ; _c25cm
502			_aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520			_aTranslation is the medium through which cultures and languages come in contact with one another. In postcolonial contexts, this interaction affects cultural representation which resulted in the manipulation of translation as a tool for cultural hegemony and representation. Postcolonial Translation Theory, which is the theoretical framework in this thesis, is mainly concerned with how translation is manipulated as a tool for dominance and submission in hegemonic relations and in postcolonial contexts. This thesis investigates the role played by translation in representation in postcolonial contexts. This thesis examines how Arab women were represented through investigating the translations of five of Nawal Saadawi's works into English. These five works are The Hidden Face of Eve (1980) which was originally published in 1977, Woman at Point Zero (1983) which was published in Arabic in 1975, The Fall of the Imam (1988) which was published in Arabic in 1987, The Innocence of the Devil (1994) which was published in Arabic in 1992 and Love in the Kingdom of Oil (2001) which was published in Arabic in 1993. These particular works by Saadawi were selected based on the varieties of translation strategies used, which deserve examination in this thesis, tracing their impact on representation. The methodological framework governing this thesis is Gerard Genette's Paratexts as the paratextual elements of the translations are the subject of the analysis. The footnotes, prefaces, glossaries, illustrations, cover and title of the works are analyzed to investigate how Arab men, women as well as Saadawi herself were represented in translation
530			_aIssued also as CD
653		4	_aNawal Saadawi's
653		4	_aPostcolonial translation theory
653		4	_aRepresentation politics
700	0		_aHala Kamal , _eSupervisor
856			_uhttp://172.23.153.220/th.pdf
905			_aNazla _eRevisor
905			_aSamia _eCataloger
942			_2ddc _cTH
999			_c74281 _d74281