| 000 | 01668cam a2200337 a 4500 | ||
|---|---|---|---|
| 003 | EG-GiCUC | ||
| 005 | 20250223030228.0 | ||
| 008 | 100517s2010 ua f m 000 0 eng d | ||
| 040 |
_aEG-GiCUC _beng _cEG-GiCUC |
||
| 041 | 0 | _aeng | |
| 049 | _aDeposite | ||
| 097 | _aPh.D | ||
| 099 | _aCai01.02.12.Ph.D.2010.He.V | ||
| 100 | 0 | _aHeba Mohamed Aldosouky Ismail | |
| 245 | 1 | 0 |
_aVarieties of silence in selected plays by Harold Pinter : _bA stylistic analysis / _cHeba Mohamed Aldosouky Ismail ; Supervised Malak Mohamed Hashem |
| 246 | 1 | 5 |
_aأنواع من الصمت فى بعض مسرحيات هارولد بنتر المختارة : _bتحليل اسلوبى |
| 260 |
_aCairo : _bHeba Mohamed Aldosouky Ismail , _c2010 |
||
| 300 |
_a210P. ; _c25cm |
||
| 502 | _aThesis (Ph.D.) - Cairo University - Faculty of Arts - Department of English | ||
| 520 | _aThis research attempts a stylistic analysis of Pinter's A Night Out (1961) Silence (1969) and Mountain Language (1988) using duly relevant social and linguistic notions . To carry out the analysis Pinter's concept of silence (1962 ) has been employed as an umbrella classification for varieties of silence in the three chosen plays . The analysis has shown how through many forms of silence power relationships in three different social institutions are built up | ||
| 530 | _aIssued also as CD | ||
| 653 | 4 | _aHarold Pinter | |
| 653 | 4 | _aMountain Language | |
| 653 | 4 | _aVarieties of silence | |
| 700 | 0 |
_aMalak Mohamed Hashem , _eSupervisor |
|
| 856 | _uhttp://172.23.153.220/th.pdf | ||
| 902 | _a1 | ||
| 905 |
_aFatma _eCataloger |
||
| 905 |
_aMustafa _eRevisor |
||
| 942 |
_2ddc _cTH |
||
| 999 |
_c30326 _d30326 |
||