000			02320cam a2200325 a 4500
003			EG-GiCUC
005			20250223031933.0
008			180224s2017 ua f m 000 0 eng d
040			_aEG-GiCUC _beng _cEG-GiCUC
041	0		_aeng
049			_aDeposite
097			_aM.A
099			_aCai01.02.12.M.A.2017.Sh.W
100	0		_aShereen Mohamed Safwat
245	1	0	_aWomen writing autobiographies : _bA comparative study between samia serageldin{u2019}s the Cairo House (2000) and Jung Chang{u2019}s Wild Swans (1991) / _cShereen Mohamed Safwat ; Supervised Mona Hussein Mones
246	1	5	_aنساء يكتبن السيرة الذاتية : _bدراسة مقارنة بين بيت القاهرة( 2000) لسامية سراج الدين والبجعات الجامحة (1991) ليانج تشانج
260			_aCairo : _bShereen Mohamed Safwat , _c2017
300			_a166 P. ; _c25cm
502			_aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520			_aThis thesis is a comparative study between two women{u2019}s autobiographies, namely, Samia Serageldin{u2019}s The Cairo House (2000) and Jung Chang{u2019}s Wild Swans (1991). Both women tell their life stories which cover crucial socio-political periods in the modern history of their countries, specifically, the period of Nasser{u2019}s and Sadat{u2019}s rule in Egypt as presented in Serageldin{u2019}s autobiography and China during Mao Zedong{u2019}s rule as shown in Chang{u2019}s life story. The aim of this thesis is to show that these two autobiographies can be considered historical references to the social and political life of the two autobiographers{u2019} countries, though they were written by women who generally tend to put many personal details about their private lives in their autobiographies. The critical framework of this study is New-Historicism which is known to diminish the distinction between literature and history which allows autobiography to be a valid discourse in documenting history
530			_aIssued also as CD
653		4	_aAnecdote
653		4	_aAutobiography
653		4	_aNew-Historicism
700	0		_aMona Hussein Mones , _eSupervisor
856			_uhttp://172.23.153.220/th.pdf
905			_aNazla _eRevisor
905			_aShimaa _eCataloger
942			_2ddc _cTH
999			_c65139 _d65139