000			02223cam a2200325 a 4500
003			EG-GiCUC
005			20250223032357.0
008			190914s2019 ua o f m 000 0 eng d
040			_aEG-GiCUC _beng _cEG-GiCUC
041	0		_aeng
049			_aDeposite
097			_aM.A
099			_aCai01.02.12.M.A.2019.Ra.D
100	0		_aRana Khaled Hamdy Afify
245	1	0	_aDifferent colours of the Medusa : _bA reading of selected works of art / _cRana Khaled Hamdy Afify ; Supervised Sahar Abdelhakim
246	1	5	_aتجليات أسطورة ميدوسا في أعمال فنية مختارة
260			_aCairo : _bRana Khaled Hamdy Afify , _c2019
300			_a141 P. : _bphotpghraphs ; _c25cm
502			_aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520			_aThis study provides a reading of a painting, a sculpture, and three poems. Each was created at a different time. It is concerned with analysing the different representations of the Medusa and the changes in its attributes in the selected works. It also focuses on the depiction of the Medusa and the different discourses that utilize the Greek myth but only to speak of the cultural perceptions of the artists and their personal positions. The critical theories, which are used in this thesis, are Simone De Beauvoir{u2019}s 2Myth and Reality3 and Sandra Gilbert and Susan Gubar{u2019}s 2The Queen{u2019}s Looking Glass3. The study aims at highlighting the difference between men{u2019}s and women{u2019}s writing about the same topic, each using it to back up his or her discourse and perception. The works of art selected for this study are Leonardo Da Vinci's painting Medusa of The Florentine Gallery, Percy Bysshe Shelley's poem On the Medusa of Leonardo Da Vinci, Benvenuto Cellini's sculpture Perseus with the Head of Medusa, Louise Bogan's poem Medusa, and Robert Lowell's poem Near the Ocean
530			_aIssued also as CD
653		4	_aMedusa
653		4	_aMyth and Reality
653		4	_aThe Queen{u2019}s Looking Glass
700	0		_aSahar Abdelhakim , _eSupervisor
856			_uhttp://172.23.153.220/th.pdf
905			_aNazla _eRevisor
905			_aShimaa _eCataloger
942			_2ddc _cTH
999			_c73854 _d73854