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003			EG-GiCUC
005			20250223032432.0
008			191107s2019 ua f m 000 0 eng d
040			_aEG-GiCUC _beng _cEG-GiCUC
041	0		_aeng
049			_aDeposite
097			_aM.A
099			_aCai01.02.12.M.A.2019.De.P
100	0		_aDeena Mohamed Heggi
245	1	0	_aPostcolonial trauma in selected Irish plays of the post 'troubles' period / _cDeena Mohamed Heggi ; Supervised Amani Wagih , Reem Eldegwi
246	1	5	_aصدمة ما بعد الاستعمار في مسرحيات ايرلندية مختارة من عقد الثمانينات والتسعينات
260			_aCairo : _bDeena Mohamed Heggi , _c2019
300			_a145 P. ; _c25cm
502			_aThesis (M.A.) - Cairo University - Faculty of Arts - Department of English
520			_aThis study explores the postcolonial Irish trauma, in a very crucial time of Irish history, adopting the psychoanalytic approach of the Indian political psychologist Ashis Nandy. In his book The Intimate Enemy: Loss and Recovery of Self under Colonialism (1983), Nandy emphasizes that "colonialism is first of all a matter of consciousness" (63). Thus, the study makes use of Ashis Nandy's theory to study the phenomenon of psychic trauma attempting to explore the origin and the reasons of the dilemma of the Irish self as portrayed in three postcolonial texts written in the post 'Troubles' period, the eighties and the nineties. In other words, the study links Nandy's concept of colonialism to the manifestations of the psychic trauma of the protagonists in selected Irish plays by three prolific Irish dramatists: Christina Reid's Tea in a China Cup (1983), Brian Friel's Dancing at Lughansa (1990), and Martin McDonagh's The Beauty Queen of Leenane (1996)
530			_aIssued also as CD
653		4	_aIrish plays
653		4	_aPlays
653		4	_aPostcolonial trauma
700	0		_aAmani Wagih , _eSupervisor
700	0		_aReem Eldegwi , _eSupervisor
856			_uhttp://172.23.153.220/th.pdf
905			_aAsmaa _eCataloger
905			_aNazla _eRevisor
942			_2ddc _cTH
999			_c75034 _d75034